1- A cena da escrita na arte brasileira contemporânea / The writing scene in contemporary Brazilian art – Gustavo Silveira Ribeiro (Universidade Federal de Minas Gerais)
2- A História e a Arte através dos tempos / Sediments: History and Art through time – Solange Ribeiro de Oliveira (Universidade Federal de Minas Gerais)
3- Archéologie de la création graphique: traces et remédiations des sources visuelles dans la bande dessinée francophone / Archaeology of graphic creation: traces and remediations of visual sources in French-speaking comics – Margot Renard & Benoît Glaude (Universiteit Gent)
4- Between nature and word(s): towards new (eco)feminist perspectives in the visual arts / Entre natureza e palavra(s): novas perspectivas (eco)feministas nas artes visuais – Márcia Oliveira (University of Minho, CEHUM)
5- Caricatura em viagem: Apropriações e particularidades da caricatura no continente americano. Séculos XIX e XX / Traveling Caricature: appropriation and particularities of caricature in the American territory (19th and 20th centuries) – Marcelo Balaban (Universidade de Brasília) & Dominic Hardy (Université du Quebec à Montréal)
6- Collage, montage et fragmentation en Asie orientale / Collage, montage and fragmentation in East Asia – Marie Laureillard (Université Lyon 2)
7- Configurações Intermidiáticas nos estudos Pós-coloniais / Intermedial Configurations in Postcolonial Studies – Thaïs Flores Nogueira Diniz & Eliana Lourenço de Lima Reis (Universidade Federal de Minas Gerais)
8- Contemporary cabinets of curiosities / Cabinets de curiosités contamporains – Dominika Bugno-Narecka (John Paul II Catholic University of Lublin)
9- Cutting and Pasting: New Approaches to Collage / Couper et coller : nouvelles approches sur le collage – Catriona MacLeod (University of Chicago) & Véronique Plesch (Colby College)
10- Dans l’entre-deux : théories et pratiques de l’intervalle / In between: theories and practice of the interval – Hélène Campaignolle (CNRS; Centre d’étude de l’écriture et de l’image) & Florence Dumora (Université Paris Cité) & Marianne Simon-Oikawa (Université de Tôkyô)
11- Ecrire le silence / Writing silence – Violaine Anger (Université d'Ery Val d'Essonne)
12- Facial Sediments: Masks, Veils, and other Devices / Sedimentos faciais: Máscaras, véus e outros dispositivos / Sédiments faciaux : Masques, voiles et autres dispositifs – Massimo Leone (University of Turin; University of Shanghai; University of Cambridge; Bruno Kessler Foundation, Trento)
13- Graffiti as Sedimentation / Graffiti como sedimentação – Augustto Cipriani (Universidade Federal do Rio Grande do Norte) & Véronique Plesch (Colby College)
14- História e Mídia: leitura, percepção e letramento midiático / History and Media: reading, perception and media literacy – Cristine Fickelscherer de Mattos (Universidade Presbiteriana Mackenzie) & Maria Cristina Cardoso Ribas (Universidade Estadual do Rio de Janeiro)
15- L’écriture et l’image : travailler avec Anne-Marie Christin et la traduire / Escrita e imagem: trabalhar com Anne-Marie Christin e traduzi-la – Béatrice Fraenkel (École des Hautes études en sciences sociales) & Violaine Anger (Université d’Évry Val d’Essonne)
16- Le remploi, l’appropriation, la répétition: transferts entre la littérature, le théâtre et le cinéma / Reutilização, apropriação, repetição: transferências entre a literatura, o teatro e cinema – Luciene Guimaraes de Oliveira & Rémy Besson (CRIalt - Université de Montréal)
17- Neobaroque (in) word and image / Palavra e imagem no Neobarroco – Dominika Bugno-Narecka (John Paul II Catholic University of Lublin) & Heidrun Führer (Lund University)
18- Palavra, imagem, som: palimpsestos do audiovisual / Word, image, sound: audiovisual palimpsests – Camila Figueiredo (Universidade Federal de Minas Gerais)
19- Palimpsestes orphiques / Orphic Palimpsests / Palimpsestos órficos – Nathalie Roelens & Armand Erchadi (Université du Luxembourg)
20- Poéticas em erosão: entre palavras, imagens, memórias e esquecimentos / Poetics in Erosion: Between Words, Images, Memory and Oblivion – Deborah Walter de Moura Castro (Universidade Federal de Alfenas-MG) & Kátia Hallak Lombardi (Universidade Federal de São João del-Rei)
21-Représentations de la vie quotidienne : palimpseste, intermédialité, interculturalité / Representations of daily life: palimpsest, intermediality, interculturality – Kirsty Bell (Mount Allison University) & Adina Balint (University of Winnipeg)
22- Satire visuelle et hybridations culturelles / Visual satire and cultural hibridizations – Philippe Kaenel (Université de Lausanne) & Laurent Baridon (Université Lyon 2)
23- Sedimentation as Connectedness and Solidarity / La sédimentation comme connexion et solidarité – Christa-Maria Lerm Hayes (University of Amsterdam)
24- Sedimentation of the match between image and word in the visual communication / Sédimentation de la correspondance entre l'image et le mot dans la communication visuelle – Pascal Vernus (École Pratique des Hautes Études IV et Centre d'étude de l'écriture et de l'image)
25- Subtitled gardens / Jardins sous-titrés – Marco Maggi (Università della Svizzera italiana)
26- Tránsitos, memorias y dispositivos estéticos entre palabras e imágenes / Trânsitos, memórias e dispositivos estéticos entre palavras e imagens – Gonzalo Leiva Quijada (Universidad Adolfo Ibáñez)
27- Verbal-Visual Sediments of Time and Space in Illustrated Texts from the Age of Enlightenment / Sédiments verbaux-visuels du temps et de l’espace dans les textes illustrés du siècle des Lumières – Christina Ionescu (Mount Allison University) & Leigh G. Dillard (University of North Georgia)
28- Word and Image: A Palimpsestic Romance / Mot and image: une histoire d’amour palimpsestique – Béatrice Laurent (Université Bordeaux-Montaigne) & Manuela D'Amore (University of Catania)